In The Wire 493, Claire Biddles reviews Trent Reznor and Atticus Ross’s score for Luca Guadagnino’s film of William S ...

The 20 February edition of The Wire ’s weekly show on Resonance FM and Resonance Extra featured tracks by Tori Kudo, SBR, Cheng Daoyuan, Sophia Djebel Rose, Crystal Axis and others ...

And where’s the harm? Surely uploading is just an extension of sharing with friends, an effective and commercially subversive way to promulgate the music you like? But friends are strangers now; a ...

Over the course of several months, Áine O'Dwyer was given access to the pipe organ in St Mark’s Church, Islington while the cleaners were at work. Primarily a harpist, for this release she played and ...

In The Wire 493, George Rayner-Law argues that as interest in English folk song grows once again, practitioners, critics and listeners should consider carefully the ideological currents beneath the su ...

This month: alienated from her computer, baffled by download culture, Amanda Brown laments the rise of the faceless uploader and the attendant decline of the DIY underground. I have no bond with my ...

Releases of the Year: We asked our contributors to vote for their top ten records, CDs, streams and more, then added up the votes ...

“DJ Spoony, one of the original pioneers of the UK garage scene,” read the email from London’s Barbican centre, “has joined ...

To accompany his report on Pointless Geometry in The Wire 493, Daryl Worthington selects music from the back catalogue of the ...

Darren Cunningham’s supple, warm, second album of ‘R&B concrète’ was equal parts pop constructivism and humid club compulsiveness. Informed as much by 1980s pop as House and Techno, his meticulous ...