In The Wire 493, Claire Biddles reviews Trent Reznor and Atticus Ross’s score for Luca Guadagnino’s film of William S ...

In The Wire 493, George Rayner-Law argues that as interest in English folk song grows once again, practitioners, critics and listeners should consider carefully the ideological currents beneath the su ...

“DJ Spoony, one of the original pioneers of the UK garage scene,” read the email from London’s Barbican centre, “has joined ...

To accompany his report on Pointless Geometry in The Wire 493, Daryl Worthington selects music from the back catalogue of the ...

Subscribers: read this issue online. Subscribe to the magazine. Buy issue 493. Inside our brand new issue: Masma Dream World: Devi Mambouka channels the voices of the spirits on new album PLEASE COME ...

The influential grime producer Terror Danjah (real name Rodney Pryce) has died. As a tribute, we have made his Invisible ...

In The Wire 491/492, John Brien argues that the humble compact disc offers efficient delivery of pure audio that bypasses the artisan fetishism of the vinyl industry I don’t have a personal preference ...

“I love noise. Noise interests me because it’s everywhere, and it can be organised to make what we think of as music. Everybody has access to it, and everybody can fashion it anyway they want to.” So ...

The 13 February edition of The Wire's weekly show on Resonance FM and Resonance Extra featured tracks by Sopa Boba, Amand, Clipping, Zakir Hussain & Third Coast Percussion, Janek Schaefer, Fred Moten ...

The 6 February edition of The Wire’s weekly broadcast on Resonance FM and Resonance Extra featured music by Girl Pusher, aya, Zoë Mc Pherson, Kilbourne, Sunik Kim, Tisakorean and more ...